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Great Albums: Rattlesnakes

January 6, 2008 By 1 Comment
Lloyd Cole and the Commotions – Rattlesnakes (1984)

Lloyd Cole and the Commotions – Rattlesnakes (1984)

I’d met Goldie through my friend Colin around 1983, I think. With his thinning hair and permanent scowl, he looked like a perennially pissed off old man. We shared a love for punk, even though he was somehow affiliated with the strange evangelical subculture I’d recently become part of. I remember him bringing us Dead Boys records when Colin and I were in residence at Bible College. We’d play those and Colin’s Zapp funk records as loud as we could, enjoying the vicarious thrill of swearing and talking sexy. I remember Goldie and I commandeering the lounge television one night when Rock ‘n’ Roll High School was on. So we shared a taste in music and a slightly skeptical attitude toward the world around us.

Around 1984, our tastes were broadening. Goldie was the first one to tip me off to The Style Council, a new direction from The Jam‘s Paul Weller. So it was no surprise when he showed up one afternoon with a home-recorded tape that he wanted me to hear. Side A was Eden by Everything But The Girl, well before their dance music days. Though I enjoyed Tracey Thorn’s soulful vocals, I was much more interested in Side B, which Goldie hadn’t even mentioned.

Lloyd Cole’s anguished voice and whipsmart lyrics drew me in. Here was a guy who seemed impossibly sophisticated and world-weary at the same time. Every song was tinged with regret but filled with literary barbs and wry humour. One of my favourite lines is from Four Flights Up: “Must you tell me all your secrets when it’s hard enough to love you knowing nothing?” The songs had a sophistication that screamed Europe but the album title sounded American. And Lloyd seemed worldly enough to know New York, London and Paris equally well. This guy was flat out cool, like an upper class and definitely more hetero Morrissey.

In the same vicarious way that I listened to Zapp and the Dead Boys, I absorbed the heartbreak and romantic adventures of Lloyd Cole. I didn’t have anywhere near that sort of experience (and still don’t), but when on the final track Lloyd sang “Are You Ready to be Heartbroken?” I wanted to jump up and scream out “Yes!”

Track Listing

  1. Perfect Skin
  2. Speedboat
  3. Rattlesnakes
  4. Down on Mission Street
  5. Forest Fire
  6. Charlotte Street
  7. 2cv
  8. Four Flights Up
  9. Patience
  10. Are You Ready to be Heartbroken?

Lloyd Cole’s weblog
“Perfect Skin” video on YouTube
“Forest Fire” video on YouTube

Great Albums is an occasional feature on Consolation Champs where I relate some personal stories about life-changing music in lieu of any proper music criticism. You’ll probably learn more about me than about music, so consider that fair warning. For more, click the Great Albums category tag.

Filed Under: Great Albums, Music, Personal

Best Music of 2007

December 20, 2007 By

I’m not a music blogger, but in the spirit of all the year-end lists that are popping up on proper music blogs, I thought I’d make my own. My criteria were simple. The disc had to come out sometime in 2007, and I had to actually care enough to buy it. I don’t buy that much music anymore, so my list of potential picks was mercifully small. Ranking was difficult, but I decided that if something was pleasantly surprising, it ranked higher than something that was just dependably good. So, here, without any real commentary, are my top 10 from 2007.

  1. Of Montreal – Hissing Fauna, Are You the Destroyer?
  2. Spoon – Ga Ga Ga Ga Ga
  3. Okkervil River – The Stage Names
  4. The Arcade Fire – Neon Bible
  5. Glen Hansard and Marketa Irglova – Music from the film “Once”
  6. Apples In Stereo – New Magnetic Wonder
  7. Modest Mouse – We Were Dead Before the Ship Even Sank
  8. LCD Soundsystem – Sound of Silver
  9. St. Vincent – Marry Me
  10. Interpol – Our Love to Admire

Outside the top ten:

  • The New Pornographers – Challengers
  • The Shins – Wincing the Night Away
  • Radiohead – In Rainbows
  • Stars – In Our Bedroom After the War
  • Peter Bjorn and John – Writer’s Block

Other great albums that I just haven’t got around to buying yet:

  • The National – Boxer
  • Beirut – The Flying Club Cup

How about you? What were some of your favourites?

Filed Under: Music Tagged With: ,

Ga Ga For Ga Ga Ga Ga Ga

July 5, 2007 By

Ga Ga Ga Ga Ga

I’ve been listening to Spoon’s new album Ga Ga Ga Ga Ga for the past few weeks, “unofficially.” Today in the mail I was delighted to receive my pre-order of the new CD from the nifty guys at Merge Records. Because I was among the first 200 geeks to order, I got a signed 7″ (you know, a 45rpm record!) with two non-album tracks. Problem is, I no longer have a turntable. I also have a rare 7″ of “Anticipation” that I can’t play, either, but who’s counting. Anyway, I want to beseech you to go out and buy this CD. It sort of crept up on me, but the Aha! moment came last weekend when I played it LOUD on the stereo in my bedroom and crawled back under the covers. At that moment, it was the perfect record for me. And I think it’s stronger than their last two albums, which makes it well-nigh perfect.

There are at least three perfect singles that should launch Spoon to superstardom (although I think I say that about every album they release, and it hasn’t happened yet.) Find and listen to “Don’t Make Me A Target,” “The Underdog,” and especially “Finer Feelings” and then buy this CD. Really.

And the boys are playing in Toronto on October 15th, after a gap of just about two years. You’ll want to be there, too. Here are some other shows.

Filed Under: Music Tagged With:

The Rheostatics’ Last Waltz

March 31, 2007 By
Rheostatics
Rheostatics, circa 2006

I feel incredibly fortunate to have been a witness last night to my beloved Rheostatics‘ last concert. After more than twenty years together, they’ve decided to call it quits as a band, although all of the members will continue to make music.

The event was held at the fittingly historic Massey Hall, a large and yet intimate space that has been the venue for some of my most memorable evenings of music. Last night was no different. Unfortunately, my favourite Rheo Martin Tielli had voice problems that prevented him from unleashing his trademark falsetto as well as some technical issues with his guitar, but it didn’t get in the way of my enjoyment. One of the band’s trademarks has been their shambolic and sometimes uneven live shows, and last night seemed to be a summary of their career. They played over three hours, and seemed reluctant to call it a night, coming back for a second encore where they sat huddled on the edge of the stage around Dave Bidini’s acoustic guitar and singing without mikes.

The set covered the range of their long career, but was understandably weighted toward their two greatest albums, Melville (1991) and Whale Music (1992). After hearing these songs for maybe the hundredth time (and maybe 20 times live), I’m still convinced that two finer albums have not emerged from this country.

Their music was impossible to categorize, with three and sometimes four songwriters in the band, but somehow these guys from Etobicoke, Ontario seemed to resonate with Canadians all across the country, especially in smaller places where “cooler” bands didn’t play live. The crowd at their shows always seemed incredibly diverse, with young and old fans side by side, and there was something incredibly sincere about them, whether they were performing stinging political songs, spacey art-rock, or irony-free covers of Canadian standards by Gordon Lightfoot or Stompin’ Tom Connors. No band that I’m aware of has had such an ambitious reach, from making a children’s record, scoring a film, and accepting a commission from the National Gallery of Canada to create a piece of music celebrating Canadian painters The Group of Seven. The Rheostatics did all of this and more, and despite a lack of commercial success, cultivated a small but devoted following right across the country.

I found myself choking up a few times during the show, especially between songs when, amid shouted song requests, people could be heard yelling “Thank you” and “We’re going to miss you.” I’ve never been part of anything like that before, and it made me feel happy, sad, and old all at the same time. I was at the show with my wife Brooke, and in the row in front of us were my friend Brent and his girlfriend Kim. Brent introduced me to the band way back in 1992 while we were sharing an apartment, and it’s sobering to think of how long we’ve been friends, and fans. But even though it was a bittersweet feeling, there was nowhere else on God’s green earth that I wanted to be last night.

Filed Under: Music, Personal Tagged With: , ,

SXSW 2007 Wrapup

March 27, 2007 By

I know this post is long overdue, but it’s actually taken me this long to recover physically and mentally and catch up a bit at work. This year’s SXSW was even bigger than last year, and despite the fears of my friends and I, it was actually somehow a bit more manageable. This was probably due to a few factors. First, I had a panel to prepare for and that allowed me to focus on that to the exclusion of almost everything else on the Saturday. Another sadder reality was that Brooke’s father passed away just a week before I was to fly to Austin. We spent almost the entire next week with her mum in Collingwood, about an hour and a half north of Toronto. That made it pretty impossible to think about or plan my week too carefully. For a few days, it wasn’t even clear I’d be able to make the trip at all. But in a strange way, it made me less anxious about the panel and about figuring out what I wanted to do every hour of every day. I was just happy to be there. And just so you know, Brooke was able to spend some quality time alone with her mum that week and sent me on my way with her blessing. She’s amazing like that.

I didn’t attend a lot of panels, or take a lot of photos or notes, so I thought I’d just give you a list of highlights and lowlights:

Highlights

  • My panel was great. It was a pleasure and a privilege to meet some very sharp people who also happen to be warm and genuine about their faith. I’m really hopeful that I can be involved in something like it again next year.
  • Sticking around a few days was a great idea. Although I didn’t buy a Music badge, there were heaps of free day shows. I got to see The Buzzocks(!), The Polyphonic Spree, Apples in Stereo, Peter Bjorn and John, Robyn Hitchcock with Peter Buck and Okkervil River. There was even free food and beer.
  • During one of the parties during Interactive, I was chatting with my friends Kevin and Baratunde when we were joined by a personable young guy talking about films. He introduced himself as Joe and said he was acting in a film that was at the Film festival. During our 40 minute conversation, it dawned on me that we were hanging out with Joseph Gordon-Levitt, star of The Lookout. He turned out to be a great guy, smart and interesting but completely unpretentious.
  • As a panelist, I got a complimentary Gold badge which allowed me to attend both Interactive and Film events. I took the opportunity to see a few films (Reign Over Me, Exiled, and Eagle Versus Shark) and this was a great break from the intensity of hanging around with smart geeks or rocking out at concerts.
  • The panels and keynotes I did attend were almost all interesting and valuable.
  • I focussed more on my writing about film and made a number of useful contacts. My decision to launch Toronto Screen Shots was based on attending a great panel called “Blogging About Film.”

Lowlights

  • The weather in Austin this year was kind of crappy. It rained for several days, which made getting around fairly miserable.
  • Hotels were expensive and filled up really early. Despite sharing with my friends Neil and Kevin, which involved spending five of my eight nights on either an air mattress or a rollaway bed, it still cost me more than US$1,000. I’m going to book my room by July or August next time.
  • Almost everyone I know had some travel snafus on the way home. I wasn’t immune. I flew back Saturday from Austin to Detroit without incident, but my flight from Detroit to Toronto was cancelled for “unscheduled maintenance.” Despite the fact that it’s a one hour flight, there were no flights available until Monday or Tuesday, and the airline would only pay for one night’s accomodation. I banded together with a few other Torontonians and we took a taxi across the border to Windsor and jumped on the train. I got home about seven hours late, and it cost me more money, but there was no way I was staying two days in Detroit, especially at my own expense. Boo airlines!
  • As always, the week went by far too quickly and I didn’t get to spend nearly enough time with people. There were a few people whom I’d wanted to meet for the first time, and didn’t get the chance. Ah well, I’ll be back next year!

Filed Under: Blogging, Faith, Film, Music, Personal, Special Event, Travel Tagged With:
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