It’s hard to believe that this year will mark a decade for me of attending the annual South by Southwest conference in Austin, Texas. I started in 2001 by attending just the Interactive festival, and that’s still the core of what interests me, but over the years, I’ve extended my stay and now take in film screenings and panels and as much free music (along with beer and food) as I can squeeze in. One of my traditions has been to make a mix CD each year of songs that have meant something to me in the previous 12 months. I used to make about 20-30 copies on CD and then give them out in person each year. It was a nice way of reinforcing the connections I’d made and giving a small token of friendship to some of my new pals. But each year, it got more onerous to create something that most people would end up ripping to their hard drives anyway. The only place most people play CDs these days is in their cars, and I expect that’s changing, too.
So, this year, behold the mighty .m4a compilation! It has album artwork and everything. All that’s missing are the liner notes, which I’m going to provide for you right here. You don’t need to be attending SXSW to download and enjoy this 10th annual SXSW edition of Compilation Champs. But if you are, make sure you say hello if you see me. In any case, please let me know what you think about the songs. I love putting this together each year and writing a little bit about music, which I don’t do often enough.
You can stream the whole thing by hitting the play button, but it works best as a download, so go ahead and click that link (or the image).
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Duration: 48:00
Download .m4a file (67.8 MB)
- Intro – The XX (2009, from the album XX): I named this my Album of the Year for 2009 and this song does indeed make for a perfect “intro” to the rest. The XX sound to me a bit like what would have happened if Young Marble Giants had listened to more James Brown growing up. Minimalistic dance music that’s both cool and hot at the same time.
- Shadow – Delta 5 (c. 1979-1981, from the album Delta 5: Singles and Sessions 1979-1981): I only recently discovered the amazing Delta 5 after watching a documentary about the history of Rough Trade Records in the UK. This unique band had two bass players and were at the forefront of the feminist and anti-racist movements. Plus they’re from Leeds, home of one of my all-time favourite bands, The Wedding Present.
- Blessed Brambles – Múm (2007, from the album Go Go Smear the Poison Ivy): My fascination with Icelandic music continues, and with Múm’s in particular. There’s a mechanical sound to their music that reminds me of sewing machines: industrial and yet homey at the same time.
- My Love Life – Morrissey (1991, from the EP Morrissey at KROQ): An old favourite from the tail end of my college days. A plaintive plea for sympathy, and who couldn’t use “a little something” for our love lives?
- Overground – Siouxsie and the Banshees (1978, from the album The Scream): Stark and cool, this song is from the band’s very first record. Despite being criticized at the time for their lack of musicianship, I find the stripped down sound enervating and kind of epic, actually.
- I’m Confused – Handsome Furs (2009, from the album Face Control): In a lucky accident, I stumbled into a show by this husband-and-wife duo at last year’s SXSW. I couldn’t believe how energetic they could be with just a guitar and a keyboard. It pleased me that they’re Canadian, from Montreal, but it’s strange that I haven’t really listened all that much to Dan Boeckner’s other band, Wolf Parade.
- Time for Heroes – The Libertines (2002, from the album Up the Bracket): Another discovery from the Rough Trade Records documentary. I’d only ever heard of Pete Doherty as the drug-addled boyfriend of Kate Moss. His most recent band, Babyshambles, never crossed my radar at all, but listening to The Libertines makes his subsequent troubles all the more sad.
- Hell Yeah (Pimp the System) – Dead Prez (2004, from the album RBG: Revolutionary But Gangsta): Dead Prez impressed the hell out of me in the film Dave Chappelle’s Block Party, and so I went looking for more from them. This song is powerful enough to both frighten me and make me see things from the other side. Muggings and fraud are survival tactics, but there’s also a thrill, that of “pimping the system” that tries to keep you down.
- The Major Lift – Years (2009, from the album Years): Years is a side project from the impossibly-named Ohad Benchetrit, multi-instrumentalist for Do Make Say Think. It was the horn section in this particular song that grabbed me, especially the tuba, which is a bird seldom-heard in most of my music.
- A Prophecy – Close Lobsters (1987, from the album Foxheads Stalk This Land): Scottish band Close Lobsters were part of the C-86 “movement” spawned by a compilation put out by the NME. Though they weren’t prolific, this entire album is a treasure chest of jangly goodness. I have no idea why the song speeds up at the end, but I sort of like that it does.
- Footsteps – Bricolage (2009, from the album Bricolage): This Glasgow band seem to be mining the same territory as Postcard Records acts like Orange Juice and Josef K, which is just fine by me. If I had actually heard this album last year, it might have been my album of the year. Also, what is it about Scottish bands that compels them to make electric guitars sound like something else? First it was Big Country making guitars sound like bagpipes, and now on this song, Bricolage give the guitars a steel drum feeling. Or am I crazy?
- Broken Rifle – Evening Hymns (2009, from the album Spirit Guides): Closer to home this time. Evening Hymns is essentially Jonas Bonetta, from tiny Orono, Ontario. Over the years I’ve introduced a few people to some great Canadian music, and I hope this year it might be this lovely song that reaches you.
- Peach, Plum, Pear – Joanna Newsom (2004, from the album The Milk-Eyed Mender): I had heard OF Joanna Newsom for quite a while but had never heard her music until the closing credits of a short film called City Paradise, which featured “Peach, Plum, Pear.” It worked so well there that I’m stealing the idea here for my own “closing credits.”
I have no way of determining how many people download the compilation this year, so if you’ve read this far, would you mind just dropping a comment to say Hi after clicking the download link? Of course, it would be great if you came back to tell me what you thought of the music, too.
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by James McNally on January 4, 2010
in Personal
This photo was taken at the end of my very first South by Southwest Interactive in March 2001. A few of us had decided to walk to Katz’s deli late one night and during our walk it began to pour.
By the time we’d made it to the restaurant, we were drenched but laughing like idiots. I’d made some genuine friends.
Today I found out that Brad Graham (at the far left in the photo) has passed away. He was 41. Brad was one of the funniest, smartest and warmest people I have ever met. It seems unbelievable that he is not in the world anymore, and that I won’t hear his laugh again.
I used to joke with him that he reminded me so much of comedian Paul Lynde, the old center square on the game show Hollywood Squares. I hope that when I die, he will be sitting in the center of the Bloggywood Squares and that he’ll be saving a seat for me.
Godspeed, my friend…
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I’m here in Austin for my eighth consecutive South by Southwest Interactive conference. I’ve come to look at this week as an essential creative reboot each year. The weather in Toronto combined with the months of near darkness always leave me drained in inspiration. And then I come to Texas and spend a week with a few thousand of my closest friends.
I didn’t plan well this year. And work got crazy. And I foolishly solicited SXSW filmmakers to send me screeners. So the leadup to this year’s conference was a flurry of late nights and trying to compile a super-calendar of Interactive, Film and Music events. Now that I’m here, it’s clear that I just can’t do it all.
In fact, my normal “shy extravert” personality has taken a hit and I am finding myself cocooning in my hotel room, which is unusual for me. I think part of it might be that I’m a bit nervous about trying to meet new people (ie. Film people). On the one hand, I’m a lazy man and don’t mind hanging around with my old Interactive tribe. But I feel like I might be missing an opportunity to learn something new and talk about another of my favourite things with like-minded people. But I’m also afraid of being embraced by the Film people and then missing out on all the stuff I’ve come to love about the Interactive conference. This conflict over different social choices as well as scheduling options has left me even more paralyzed than usual. And I don’t like feeling like this.
I’m hoping that staying a few days extra to see free Music day shows and hang around with my Austin pals will sort me out. I’ll post an update in a few days.
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GodTube.com is growing fast and now offers social networking and live streaming, in addition to Christian-themed videos
This is interesting in light of some of the issues we discussed at our panel at SXSW Interactive this past spring. You can listen to the podcast here. I wonder if there’s a way to measure if more people are actually “attending” church online than offline. They certainly seem to be indulging their curiosity at this new site.
Of course, my fear is always that online “community’ is often just an invitation to flame others with views different than your own. The internet makes it much easier to express views you wouldn’t feel comfortable expressing to a stranger IRL, but it also makes it easier to trash someone else’s views without getting to know them first.
Must keep an eye on this GodTube thing…
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I know this post is long overdue, but it’s actually taken me this long to recover physically and mentally and catch up a bit at work. This year’s SXSW was even bigger than last year, and despite the fears of my friends and I, it was actually somehow a bit more manageable. This was probably due to a few factors. First, I had a panel to prepare for and that allowed me to focus on that to the exclusion of almost everything else on the Saturday. Another sadder reality was that Brooke’s father passed away just a week before I was to fly to Austin. We spent almost the entire next week with her mum in Collingwood, about an hour and a half north of Toronto. That made it pretty impossible to think about or plan my week too carefully. For a few days, it wasn’t even clear I’d be able to make the trip at all. But in a strange way, it made me less anxious about the panel and about figuring out what I wanted to do every hour of every day. I was just happy to be there. And just so you know, Brooke was able to spend some quality time alone with her mum that week and sent me on my way with her blessing. She’s amazing like that.
I didn’t attend a lot of panels, or take a lot of photos or notes, so I thought I’d just give you a list of highlights and lowlights:
Highlights
- My panel was great. It was a pleasure and a privilege to meet some very sharp people who also happen to be warm and genuine about their faith. I’m really hopeful that I can be involved in something like it again next year.
- Sticking around a few days was a great idea. Although I didn’t buy a Music badge, there were heaps of free day shows. I got to see The Buzzocks(!), The Polyphonic Spree, Apples in Stereo, Peter Bjorn and John, Robyn Hitchcock with Peter Buck and Okkervil River. There was even free food and beer.
- During one of the parties during Interactive, I was chatting with my friends Kevin and Baratunde when we were joined by a personable young guy talking about films. He introduced himself as Joe and said he was acting in a film that was at the Film festival. During our 40 minute conversation, it dawned on me that we were hanging out with Joseph Gordon-Levitt, star of The Lookout. He turned out to be a great guy, smart and interesting but completely unpretentious.
- As a panelist, I got a complimentary Gold badge which allowed me to attend both Interactive and Film events. I took the opportunity to see a few films (Reign Over Me, Exiled, and Eagle Versus Shark) and this was a great break from the intensity of hanging around with smart geeks or rocking out at concerts.
- The panels and keynotes I did attend were almost all interesting and valuable.
- I focussed more on my writing about film and made a number of useful contacts. My decision to launch Toronto Screen Shots was based on attending a great panel called “Blogging About Film.”
Lowlights
- The weather in Austin this year was kind of crappy. It rained for several days, which made getting around fairly miserable.
- Hotels were expensive and filled up really early. Despite sharing with my friends Neil and Kevin, which involved spending five of my eight nights on either an air mattress or a rollaway bed, it still cost me more than US$1,000. I’m going to book my room by July or August next time.
- Almost everyone I know had some travel snafus on the way home. I wasn’t immune. I flew back Saturday from Austin to Detroit without incident, but my flight from Detroit to Toronto was cancelled for “unscheduled maintenance.” Despite the fact that it’s a one hour flight, there were no flights available until Monday or Tuesday, and the airline would only pay for one night’s accomodation. I banded together with a few other Torontonians and we took a taxi across the border to Windsor and jumped on the train. I got home about seven hours late, and it cost me more money, but there was no way I was staying two days in Detroit, especially at my own expense. Boo airlines!
- As always, the week went by far too quickly and I didn’t get to spend nearly enough time with people. There were a few people whom I’d wanted to meet for the first time, and didn’t get the chance. Ah well, I’ll be back next year!
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