The Powazek Poetry Contest will be winding down by this weekend. Deadline is midnight (Eastern) Sunday, September 23. Please inundate me with entries!! Not that the ones I have already aren’t good…
Are you going?
Are you going? The first deadline is September 21 (Friday!), so it’s up to you: $150 or $175. Let me know if you’re going or thinking of going… (notice, too, the tasteful choice of colour for the SxSW site this year. Coincidence? Hmmm…I think not!)
Tamim Ansary
Read this letter from Afghani-American writer Tamim Ansary, and then forward the link to everyone you know. Thanks, Caterina, for posting it.
Waking Life
Waking Life (USA, 2001, Richard Linklater, director) is a groundbreaking film. Using a form of rotoscoping to animate over digital video footage, every frame of this film is beautiful, creating the perfect setting, a dream world, where the main character never knows if he is asleep or awake. Lots of philosophical musings, which occasionally grate, making it difficult to concentrate on both the visuals and the talk at the same time, but overall a film that deserves several viewings. 9/10
The Son’s Room
The film festival has been disrupted the past few days and two of my screenings have been cancelled or rescheduled, but tonight I saw a film for the first time since Monday night. How fitting that it was The Son’s Room (Italy, 2001, Nanni Moretti, director), a quietly moving film about grief. The anguish that this family experiences in the film is being played out thousands of times over in the United States, Canada, and other countries right now, and collectively as well. It was good to be sad with a lot of people tonight, and to realize that every single person who perished in New York, or in Washington, or in Pennsylvania has people who love them very much, and who are grieving. Impossible for me to “grade” this one, since my reactions are as much due to real life right now as anything in the film.